Saturday, September 11, 2010

Chromatic theology...

The last couple of posts have been glowing with the hues of harvest sunsets and harvest moons {orange}. Rejuvenating with a drop of citrus is a refreshing way to continue the Chromatic Theology series. To some extent, the distinctive attributes of orange will be present in color variations - mandarin, magma, creamsicle, rust, marigold, sweet potato, etc.
Each post in this series will explore an individual hue, but the characteristics of the topic color can be translated into tints and shades. Keep in mind that the effects and emotions we discuss are most prominent and intense in pure, saturated color. {In case you need to catch up on color, gather a glimpse of red or a ray of sunshine with the previous Chromatic Theology posts.}
ORANGE is a secondary color with conflicting emotional content. Recall a few of your second grade lessons and remember that orange is a mixture of red and yellow, boasting the charisma of both colors. Orange demands attention, yet simultaneously extends a warm invitation. The intensity and drama of red are balanced with the mild optimism of yellow. If you like the dangerous connotations of red, opt for a softer, subdued effect with orange. If you find yellow a little too submissive, add a hint of personality with orange.
Come back next week for a dose of color envy - green.

{Photographs from Living Etc.}

{This series is also running on EcoSalon!}
Related Posts with Thumbnails